Category: Music


Qwest TV, the ingenious creation of the legendary musician and producer Quincy Jones and music entrepreneur Reza Ackbaraly, is a platform that unites culture, music, and education through a unique lens. Founded in 2017, Qwest TV has disrupted the music streaming industry with a subscription-based model that celebrates the rich tapestry of global music.

Embracing a spirit of inclusivity, Qwest TV showcases an eclectic collection of music genres, encompassing jazz, funk, classical, and a multitude of international sounds. The platform reflects Quincy Jones’ decades-long career, where his influence extended beyond traditional musical borders, and Ackbaraly’s innovative mindset, a characteristic that consistently pushes Qwest TV to the forefront of the streaming market.

Jones, a 28-time Grammy award winner and esteemed producer, brings a wealth of musical knowledge and industry connections to Qwest TV. Ackbaraly, the co-founder and former Mezzo TV programmer, lends his astute business acumen and an uncanny ability to discern the pulse of the music industry. This dynamic duo’s symbiotic relationship propels Qwest TV as an extraordinary platform in the music streaming ecosystem.

One standout feature of Qwest TV is its commitment to the high quality of music video content, resonating with audiophiles who crave the sublime, lossless audio experience. The platform serves up HD and 4K streams, ensuring the user experience is second to none. As such, Qwest TV has set itself apart in a market inundated with standard definition content.

Moreover, Qwest TV prides itself on its curated collections. The team expertly selects concerts, documentaries, archives, and exclusive content that truly mirror the diversity of music worldwide. This curated approach distinguishes the platform from its competitors and aligns with its ethos of providing a more profound, engaging, musical and educational experience.

A true pioneer, Qwest TV also brings an academic component to the table with Qwest TV EDU, offering an unmatched resource for music students and educators alike. It’s a concerted effort to use music as a medium to educate, inform, and inspire.

Part of Qwest TV’s appeal lies in its celebration of diverse, global music and culture, often underrepresented in mainstream media. By giving a platform to these voices, Qwest TV has become an advocate for musical multi-culturalism. It has humanized the streaming process, providing a bridge for music lovers worldwide to connect and discover new genres and artists.

One of the unique aspects of the Qwest TV business model is its innovative subscription-based system. With its affordable pricing and tiered subscriptions, Qwest TV caters to various consumer preferences, ensuring accessibility to a wide audience. By employing this model, the platform ensures a consistent revenue stream while upholding its commitment to artists’ rights, a testament to Quincy Jones’ enduring respect for fellow musicians.

In a nutshell, Qwest TV isn’t just another music streaming platform—it’s a mission-driven platform that serves as a homage to the world’s music. A testament to Quincy Jones’ and Reza Ackbaraly’s vision, Qwest TV stands as a beacon of multiculturalism, music, and education, harmoniously blended into a seamless user experience. It is a vivid reminder of music’s unifying power, proving that it knows no boundaries, but instead, traverses them, bringing together disparate cultures under one, resonant note.

Re-Introducing Stokley!

Stokley Williams is a super talented and critically acclaimed vocalist, multi-instrumentalist and all-round musician, who specialises in versatile and meticulously crafted vocal stylings. As the former front man of the seminal RnB group, Mint Condition, and now a solo artist, Stokley does not disappoint on his first solo album titled “Introducing Stokley”, which was released in 2016. Boasting a successful career spanning over three decades and several critically acclaimed albums with Mint Condition, this artist never misses a beat with his smooth vocals and versatile delivery. “Introducing Stokley” is rich full of evergreen romantic ballads harking back to the halcyon era of the soulful 70’s, as well as dynamic and funky uptempo jams that would light up any modern dancefloor.

More recently, 2021 brought us his eagerly awaited second album titled: “Sankofa”, which came on the heels of a relatively quiet period of activity due to the global Covid lockdown – a period during which Stokley was able to share part of the creative process of curating the album with a few privileged fans and friends via his Twitch TV online channel. There, his profile reads simply: “Drum beater, Vocal slinger & Sonic healer. Not DJin’ but MeJayin’ music from around the world and around the way. A place to chill, heal and virtual fellowship. Colorful sonic therapy for the everyday grind. All I love & wanna share. Welcome, Enjoy.”

His Twitch channel experience is truly one of virtual musical fellowship as described, and as experienced first hand during the global lockdown. “Sankofa” as the end result, further demonstrates his growth as an artist while featuring several impressive guest performers including the rapper Wale (Café), H.E.R. (Rush), Shakespeare! (Clouds), Snoop Dogg (Vibrant) and The Bonfyre (Cascade).

To sample some of that good musical experience and fellowship, you can find Stokley here: https://www.twitch.tv/sonichealer

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If the superb interlude ‘Astral Projection’ from Adriana Evans’ current album ‘Walking In The Night’ was a true reflection of astral travel in its purest form, then I guess that would be quite an experience! I have had it on good authority in the past that astral travel is not an experience that is truly beneficial to the spiritual development of man. However, on the basis of the gentle groove that the Soul songstress delivers here, I have to 100% agree with my man Soul Jones when he describes it as…… ‘a soulful piece of vibes-led magic’!

 

ENJOY!

Born with an unusual name that is eclipsed only by her talent, Yewande (pronounced Yay-wán-day) has been recognized as one of the most sought after independent artists in the world. When she first burst onto the music scene in 2004, her socially charged brand of Alternative  Soul won over a legion of fans and critics alike. The release of her debut EP “Evolution” (Lotus Records, 2005) quickly led to appearances on MTV, BET and a coveted debut at the Rock and Roll Hall of Fame. Performances with the likes of the Black Eyed Peas, Enrique Iglesias, Maroon 5 and Sean Paul followed soon after as she earned countless international songwriting awards, headlined concerts from the college circuit to Europe and Africa, and walked red carpets with the “who’s who of Hollywood”. But in a business that thrives upon conformity, Yewande began to question whether she would ever fulfill her greatest dream through the music industry — to change the world. And the music simply  stopped.

THE MUSIC

During a nearly 5 year hiatus from the recording industry, not only did Yewande pursue her dream, she ignited a one woman movement across the globe and she’s back to tell us stories of that journey on her highly anticipated recording, “Rebirth” (Phoenix Records/Lotus Records, Summer 2010). Her messages still unapologetically speak truths about issues that many artists shy away from — poverty, war, race, love — and with powerhouse vocals that harken back to the days of Tina Turner and Pat Benatar, she’ll make you a believer! Much like her progressive contemporaries – Prince, Lenny Kravitz, Seal, Kina, Black Eyed Peas, Outkast – Yewande’s music continues to defy genres. “Life is colored with so many emotions — joy, loss, struggle, triumph,” she explains. “My music is simply a reflection of that raw human thing we all share! It’s not about Black emotion, not White emotion, Homosexual or Heterosexual…I want to write music that touches everyone!” One part storyteller, two parts kick ass live music backed by Angie Stone’s band, Soultron, the angst of Rock, a dash of Hip-Hop and a whole lot of Soul, “Rebirth” is a welcomed departure from formula driven artistry that so often trumps innovation. Her bold, new sound reflects the journey of a lioness who’s been patiently waiting to capture her prey. The target is aimed squarely at your heart and based on early response, will undoubtedly land in heavy rotation on your mP3.

THE JOURNEY

The world has come to know Yewande as far more than a singer-songwriter but an award-winning lecturer and passionate humanitarian. While touring the U. S. college circuit, Yewande began to observe an alarming trend among students. After nearly every concert, she was overwhelmed with questions about identity, discrimination, violence and other deeply personal issues they seemed eager to reveal. Why her? “I guess somehow they thought I’d be more empathetic because of the topics I sing about. They just needed someone to tell them things would get better.” In 2005, Yewande responded to this urgent outpouring by launching a series of programs (www.globalinstituteforchange.com) that promote tolerance, leadership and social justice. Today, her programs (“Best Diversity Event”, “Best Solo Artist”, “Top 20 Campus Programs”, “Top 10 Hot New Acts”) have reached over 40,000 students across the globe. And with the upcoming launch of her Change Rocks Youth Ambassadors student activism project and college tour, disciples of the MTV generation are beginning to harness their own power to change the world. When this University of Sheffield (Sheffield, UK) Ethnomusicology grad student isn’t rocking the stage or addressing lecture
halls, her humanitarian organization (www.changerocksfoundation.com) is furthering the dreams of some of the world’s most vulnerable children. While headlining the Lake of Stars Festival in Malawi, Africa in 2006, Yewande began teaching AIDS orphans in the local villages where she witnessed miraculous transformations using music to teach AIDS prevention and sustainable skills. Today, participants from Africa to the Americas are beating the odds one song at a time. Recognized as an honorary United States Cultural Ambassador for her commitment to music and social change, listeners may wonder what inspires this artist turned lecturer and activist. Is it her love for music or simply the destiny of a little girl with a dream? A legion of fans already know that it is likely Yewande’s Yoruba birth name, which means “reincarnation of mother”, that foretold her story long before this journey even began. They’re just glad she’s back to give them what they’ve been waiting to hear.

Hello good people, I’m going to have to throw away my objective reviewer’s hat for the next half hour or so, as I once again bask in the soulful glow of this wonderful album that was released back in 2005 – and you’re going to have to forgive me for doing so! I’m going to allow myself the luxury of waxing lyrical like never before, first because I love this project for all the right reasons and second because the music is that good and deserves glowing praise.

Metropolis! Metropolis! Metropolis! What a beautiful album!

The brainchild and debut release of super-producer Dee Majek, former CEO of Mapp Records USA and a good personal friend of yours truly, “The Voyage” is exactly what is says – a true voyage back to the good old days of quality soul and R&B music from the 70’s, 80’s and 90’s, but with a very contemporary twist. It’s the album you would have expected Eric Benet to release as a follow-up to “A Day In The Life”. It is choc-full of grooves, dance-floor jams, beautiful mid-tempo burners, without a single filler track in sight, out of the 19 or so tracks that make up the album. Unlike a lot of sets that tend to fold after about 6 or 7 songs, the very high quality of the music is maintained throughout. A rare feat these days on the R&B music scene!

The timing of release of such a good album could not have been better for the group at the time, as Metropolis could have stepped into a large vacuum created by the absence of quality male soul “groups”, except for a few exceptions like Mint Condition, Boyz II Men and perhaps Jermaine Dupri protégés, Jagged Edge. There are so many tracks to choose from, and selecting a personal favourite becomes a nigh-on impossible task. But if my hand was twisted, I’d have to list ‘Soul Train’, ‘Lovin’ You’, ‘Drunk Love’, ‘Found You’ and the list goes on. The pace is slowed down a tad towards the end, as the album closes off nicely with the Marvin-influenced ‘Time Of Your Life’, the chilled ballad ‘Watching You’ and the 80’s sounding ‘Be My Girl’. Without question, one of the classic forgotten R&B albums of the year 2005.

Now, if this album has no pride of place in your collection so far, do yourself a favour and hunt it down!